Though little is known about the elusive Parisian designer and gallerist, Raoul Guys is associated with a distinct body of mid-century European steel and wicker furniture, often linked to the work of his contemporary and friend, Mathieu Matégot. These chairs embody the spirit of that lineage – stackable, sculptural, and built for everyday use.

Designer: Raoul Guy

Materials and Techniques: Saddle leather, Metal

Place of Origin: France

Date of Manufacture: 1950s

Period: 1950 – 1959

Height: 85 cm Width: 56 cm Depth: 54 cm

Condition: Good. Wear and tear discolouration

Der Beitrag Stacking Chairs by Raoul Guys, France 1950s erschien zuerst auf ohne-butter.

The horses’ finely modeled heads support the substantial glass tabletop, while their tails carry a secondary glass surface below. Square brass crossbars connect the composition, lending both structure and visual rhythm. The table stands on square, black-lacquered feet with brass surfaces, giving the piece a grounded and composed appearance.

A rare and distinctive table that brings together historical reference and a carefully balanced form, offering a strong presence without excess.

Manufacturer: Maison Charles

Materials and Techniques: Brass, Bronze, Glass

Place of Origin: France

Date of Manufacture: 1970s

Period: 1970 – 1979

Height: 40 cm, Width: 120 cm, Depth: 120 cm

Condition: Good. Wear consistent with age and use.

Der Beitrag Coffee Table „Flying Horses of Gansu“ by Maison Charles erschien zuerst auf ohne-butter.

A rare set of safari lounge chairs by Maurice Burke, manufactured by Arkana in the United Kingdom. The chairs feature orange leather upholstery, a beech wood frame, chromed tubular steel runners, and exposed steel bolts, typical of safari chair construction. This design offers a restrained and functional interpretation of the classic safari chair.

Manufacturer:  Arkana

Materials and Techniques: Wood, Leather

Place of Origin: United Kingdom

Date of Manufacture: 1960s

Period: 1960 – 1969

Height: 71 cm Width: 63 cm Depth: 63 cm

Condition: Good. Wear consistent with age and use.

Der Beitrag Safari Lounge Chairs by Maurice Burke erschien zuerst auf ohne-butter.

This striking vintage floor mirror was crafted by renowned Italian manufacturer Cristal Art in the 1960s and is a stunning example of mid-century Italian design. The mirror features a bold blue glass frame that adds a refined splash of color, combined with brass detailing along the edges and feet. Both functional and decorative, this mirror embodies the craftsmanship and distinctive aesthetic that have made Cristal Art a coveted name in collectible Italian design.

Frame: Softly tinted blue glass
Accents: Polished brass
Base: Solid brass with tapered legs
Special Feature: Glass top ledge

Height: 181 cm Width: 107 cm, Depth: 8 cm

Condition: In good vintage condition. Wear consistent with age and use.

Der Beitrag Italian Floor Mirror by Cristal Art, Italy 1950s erschien zuerst auf ohne-butter.

This exquisite Cristal Art mirror features softly tinted pink glass and polished brass accents, resting on a sturdy wooden frame with tapered legs. The unique glass top ledge adds both function and sculptural elegance. Founded in 1944 by Giuseppe and Giovanni Donna in Turin, Cristal Art was a pioneer in decorative glass, producing luxury mirrors and furniture alongside contemporaries like Fontana Arte and Sant’Ambrogio & De Berti.

Frame: Softly tinted pink glass
Accents: Polished brass
Base: Solid wood with tapered legs
Special Feature: Glass top ledge

Height: 234 cm Width: 124 cm, Depth: 34 cm

Condition: In good vintage condition. Wear consistent with age and use.

Der Beitrag Italian Floor Mirror by Cristal Art, Italy 1960s erschien zuerst auf ohne-butter.

A true design icon, the Tube Chair by Joe Colombo represents one of the most radical and forward-looking pieces of late 1960s Italian design.
Produced by Flexform in 1969, this rare 1st edition model is part of an early series so significant that the same version is held in the collection of the Vitra Design Museum in Germany.
The chair is composed of four individual cylindrical elements that can be combined and reconfigured, embodying Colombo’s vision of flexible, modular living. Crafted from PVC, polyurethane foam, and vinyl upholstery, the design was an innovative response to the era’s fascination with new materials and futuristic forms.

This particular example shows a beautiful patina, enhancing its authenticity and character. Far from diminishing its appeal, the wear underscores the chair’s history and uniqueness—making it not only a collectible piece of 20th-century design but also a striking sculptural presence.

An exceptional opportunity to acquire an important work of Italian Radical Design.

Sources:

Online: Vitra Design Museum: Collection https://collectiononline.design-museum.de/#/de/object/36434?_k=ir4a87

Literature: Ignazia Favata, Joe Colombo: Italian Design of the Sixties; London/Milano 1988; Figure p. 82, 83

Price on request.

Designer: Joe Colombo

Materials and Techniques: Polyvinyl chloride, polyurethane, foam, rubber, chrome-plated
Place of Origin: Italy
Period: 1960s

Height: 115 cm Width: 115 cm, Depth: 65 cm

Condition: In good vintage condition. Wear consistent with age and use.

Der Beitrag 1st Edition Joe Colombo Tube Chair for Flexform, Italy 1969 erschien zuerst auf ohne-butter.

A rare and elegant outdoor garden set designed by Carlo Hauner for Fratelli Reguitti, produced in Italy during the 1960s. This thoughtfully designed ensemble includes a round table and four foldable chairs in the classic “director chair” style.

The chairs feature a solid wood frame with stainless steel hardware and joints, emphasizing both functionality and refined craftsmanship. The seat and backrest are upholstered in original striped cotton canvas in soft cream white and rose tones, evoking a timeless and summery aesthetic. All four chairs are foldable for ease of storage and transport.

The round table is composed of a two-part removable top, allowing for convenient disassembly. The table base is also foldable, making the entire set ideal for flexible outdoor use. A central opening in the tabletop is designed to accommodate a parasol.

This set is a fine example of Italian mid-century modern outdoor furniture. It remains in very good vintage condition, with minor signs of wear consistent with age and use.

Carlo Hauner (1927–1996) arrived in Brazil in 1948, settling in São Paulo amid the optimism of post-WWII modernism. In 1950, he founded Moveis Artesanal to create modern furniture for leading architects like Lina Bo Bardi and Gregori Warchavchik.

Trained in design at Milan’s Accademia di Belle Arti di Brera, Hauner led the company until 1953, when he partnered with Austrian-born architect Martins Eisler (1913–1977), who had come from Argentina and commissioned furniture from the company. Their creative collaboration became a reference point in Brazilian design.

In 1955, the company was restructured and renamed Forma, and Hauner left the enterprise.

Dimensions:

• Chairs (each): H 87 cm x W 56 cm x D 48 cm

• Table: H 74 cm x Ø 110 cm

Designer: Carlo Hauner
Manufacturer: Fratelli Reguitti
Place of Origin: Italy
Period: 1960s
Materials: Wood, stainless steel, cotton canvas
Condition: Very good vintage condition; wear consistent with age and use.

Der Beitrag Garden Set by Carlo Hauner, Italy 1970s erschien zuerst auf ohne-butter.

A rare and elegant set of three bar stools by celebrated French designer Pierre Paulin, produced in the 1950s and first featured in Thonet’s 1957 catalogue. Each stool features a gracefully curved black lacquered metal frame, embodying Paulin’s signature sculptural minimalism. The seats are upholstered in a furry fabric, adding a bold tactile contrast to the sleek structure. Light yet sturdy, these stools offer both visual delicacy and practical comfort.

A distinctive and collectible example from the formative years of Paulin’s career, these stools represent a unique intersection of mid-century design and French avant-garde aesthetics.

Designer: Pierre Paulin

Materials and Techniques: Lacquered metal, fur upholstery
Place of Origin: French
Period: 1950

Height: 82 cm Width: 36cm, Depth: 36 cm

Condition: In good vintage condition. Wear consistent with age and use.

Der Beitrag Bar Stools by Pierre Paulin for Thonet, France 1950s erschien zuerst auf ohne-butter.

A striking pair of “Totem” floor lamps designed by Kazuhide Takahama in 1982 for Sirrah, in collaboration with legendary Italian design visionary Dino Gavina. These sculptural pieces reflect Takahama’s refined architectural sensibility and are a rare example of 1980s Italian lighting design influenced by American modernism.

Each lamp is crafted from galvanized stainless steel with a golden finish.  The base, made of sandstone, anchors the vertical composition and adds a contrasting tactile quality. Drawing inspiration from the soaring American skyscrapers of the 1930s, the Totem lamps stand as functional light sculptures with a strong geometric silhouette.

The lamps feature halogen lighting that provides beautifully diffused, indirect illumination—ideal for creating atmosphere in refined interiors.

Kazuhide Takahama was a Japanese architect and designer celebrated for his minimalist style and the seamless blend of Eastern and Western design influences. After starting his career in Japan, he moved to Italy in 1957, where he worked closely with Dino Gavina and the pioneering firm Gavina SpA. Takahama gained recognition for his refined furniture designs, such as the Tulu chairs (1968) and Gaja series (1969), known for their clean lines, geometric clarity, and emphasis on simplicity. His work remains a hallmark of mid-century modern design.

Designer: Kazuhide Takahama

Materials and Techniques: Stainless steel, sandstone
Place of Origin: Italy
Period: 1982

Height: 180 cm, Width: 26 cm, Depth: 19 cm

Condition: In good vintage condition. Wear consistent with age and use.

Der Beitrag Floor Lamps „Totem“ by Kazuhide Takahama, Italy 80s erschien zuerst auf ohne-butter.

This original “Antella” table, designed by the visionary Kazuhide Takahama in the 1970s and produced by Simon Gavina, is a striking example of Italian postmodern design. Known for its sculptural form and multifunctional nature, the “Antella” table is a true collector’s piece. This particular model features the rare orange lacquer finish, a bold and vibrant color that is no longer in production, making it a highly sought-after version.

One of the most ingenious aspects of the “Antella” table is its dual functionality. The design allows it to transform effortlessly from an elegant console table into a full-sized dining table. This is achieved through its rounded, folding tabletop, which, when closed, creates a sleek, sculptural oval shape. When opened, it extends into a spacious surface, ideal for dining or entertaining.

Kazuhide Takahama (1930–2010) was a renowned Japanese architect and designer, celebrated for his refined approach to modernism. After moving to Italy in the 1960s, he collaborated with leading design figures, including Dino Gavina, and became known for his work with minimalist forms, high-gloss lacquer finishes, and a deep respect for craftsmanship. His designs often blur the boundaries between functional furniture and pure artistic expression, and the “Antella” table is a perfect embodiment of this philosophy.

The “Antella” table remains one of Takahama’s most iconic designs, and this version, in rare orange lacquer, is a particularly hard-to-find and collectible iteration. Whether used as a striking dining table, a sophisticated console, or a sculptural statement piece, it is a remarkable fusion of Japanese precision and Italian design heritage.

Designer: Kazuhide Takahama

Materials and Techniques: wood
Place of Origin: Italy
Period: 1970s

Height: 72 cm, Width: 169 cm, Depth: 122 cm

Condition: In good vintage condition. Wear consistent with age and use.

Der Beitrag Dining table „Antella“ by Kazuhide Takahama, Italy 1970s erschien zuerst auf ohne-butter.